Lady Antebellum’s new song ‘Bartender’ brushes against themes found in the group's biggest hit to date, but sonically it’s quite a deviation from ‘Need You Now’ or anything they’ve recorded released to radio. Perhaps only ‘Downtown’ served up a more surprising sound from this trio.
Fans will get to know Jerrod Niemann well by listening to his ‘High Noon’ album. While the project is covered in good time, groovy, party tracks, there are a few speckled in between that cast the 34-year-old as a romantic.
The fourth single from Kacey Musgraves’ ‘Same Trailer Different Park’ album isn’t nearly as risky as her last, or the two before it. ‘Keep It to Yourself’ is a straight-forward country heartbreak song that finds the singer turning the corner on the depression that often comes after a bad breakup.
Mike Eli and his Eli Young Band bandmates don't have to look far for reasons why St. Jude is important. The longtime college buddies now have wives and kids, as well as a greater understanding for how precious life is.
Lee Brice is a longtime supporter of the St. Jude Children’s Research Hospital. The ‘I Don’t Dance’ singer lit up when asked to talk about what the Memphis-based medical campus means to him. He admits it means something different now that he has two little boys at home.
When asked if she had a St. Jude moment, Sheryl Crow didn’t hesitate. The internationally-known singer has been working with the St. Jude Children’s Research Hospital for almost 20 years, but remembers one little girl who stole her heart at a time when she was exhausted.
For 25 years, country radio has stepped up to raise money for the St. Jude Children's Research Hospital, and on Thursday and Friday (March 6 and 7), Taste of Country is joining that effort. Head writer Billy Dukes explains how artists like Dierks Bentley and Sheryl Crow jumped at a chance to help with the first-annual webathon, and how you can participate.
Cole Swindell set out to make a well-rounded album that tells his story, and he succeeded. The 12 tracks on ‘Cole Swindell’ tread along familiar country themes, but don’t run ruts into any one in particular. It’s surprisingly easy to find yourself halfway through the album a second time without noticing.
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