Blake Shelton’s "Friends" is a huggable country addition to The Angry Birds Movie soundtrack. The uplifting lyric will be featured prominently in the film. It’s a catchy melody that would sound perfect over the end credits.
Jason Aldean returns to a sound his longtime fans are familiar with on “Lights Come On,” the first single from his next studio album. There’s not a whiff of R&B influence to be found on this straightforward country rocker. It’s a song built for his live show.
There's a new video vying for votes this week, and it's a big one! Blake Shelton's sultry black and white visual for "Came Here to Forget" is officially on the poll, and it wants your votes. But does he have what it takes to make it on the Top 10 Video Countdown next week?
Charles Kelley’s “Lonely Girl” was written by “Crash and Burn” writers Chris Stapleton and Jesse Frasure, and one would bet it was written on the same day. Kelley’s follow-up to the Grammy-nominated “The Driver” is a throwback recorded with modern soul.
Carrie Underwood’s "Church Bells" tastes like sweet revenge and adds to her growing body count of no good men. The singer’s fictional story of a poor girl named Jenny quickly takes a dark turn, and the singer celebrates her antagonist’s inevitable fate.
The 2016 ACM Awards are right around the corner, and you know what that means — it's time for Taste of Country readers and staff to square off and predict the winners in one of the biggest country competitions of the year.
Reba McEntire really is the hardest working woman in country music. The legend grew up in a rancher's household, meaning she often got more done before sunrise than some do in a week. There were some jobs that weren't for the squeamish ... OK, there's one job in particular that will make a city boy squirm, but during this episode of 'You Think You Know Country?' you'll see how holding a bucket led to holding several CMA and ACM Awards.
Kenny Chesney says “Noise” is his first song with real social importance, and the timing couldn’t be better. Without being political, he takes on politics. Without sounding like a luddite, he challenges technology. Without smelling curmudgeonly, he recalls how things once were.
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